Teenage Bottlerocket, Damage Case

Teenage Bottlerocket

Damage Case

MakeWar, From Parts Unknown, The Deadbeat Club (B-52s Tribute), Decent Criminal, Lethal Dose

Saturday, March 10, 2018

Doors: 6:00 pm / Show: 6:00 pm

$15.00 - $20.00

Sold Out

This event is all ages

Teenage Bottlerocket
Teenage Bottlerocket
It seems hard to believe, but the boys in Teenage Bottlerocket aren’t boys any more: They’ve been a band for more than 15 years, and have spread their pop-punk gospel across the world through a series of killer records like Total and They Came From The Shadows and an equally killer live show, one that is packed full of sing-alongs and circle pits. What’s really wild is that the whole thing all started thanks to a well-placed CD-R.

“The very first tour Bottlerocket did, we burned a spindle of CD-Rs of our music and would give them to anyone who had any interest in our music at all,” recalls vocalist/guitarist Ray Carlisle. “We played Gilman Street, and David Jones from Enemy You was at the show. We gave him a CD-R, he brought it to the Fat Wreck Chords office and gave it to Toby Jeg, who then signed us to Red Scare.”

Despite the rise of social media and digital streaming services, Carlisle knows the best way to connect to music is through one-on-one connections like that—and this helped inspire the creation of Stealing The Covers, the Wyoming punk quartet’s new album, comprised of 14 songs all by bands Bottlerocket has encountered throughout their travels, from groups who share their same ZIP code to complete strangers who passed along a CD at a gig.

“The idea first came to light 10 years ago,” Carlisle says. As far as I can remember, my brother Brandon came up with the idea. We just thought, ‘Let’s do an album of doing songs by our friends’ bands.’ But some of these bands aren’t even our friends!”

For example, take the delightfully named “Shit Fuck God Damn” by Bremerton, Washington’s Artimus Maximus, a song played for Carlisle way back in 2003 by a friend in another band. He has been a fan ever since. “We have never met these dudes,” Carlisle admits. “I don’t know their names, I don’t know what they look like. We reached out to every band, and they’re the only ones who didn’t get back to us.”

Other lesser-known groups Bottlerocket paid homage to include Canada’s Varsity Weirdos (“The Way I Know”), San Francisco’s Onion Flavored Rings (“I Kill Butterflies”), Austria’s the Mugwumps (“Alien Motion Technology”) and Seattle’s HEAD (“No Hugging No Learning”), all of whom gave their blessing for their material to be covered.

“Most of our friends were just fuckin’ thrilled we were doing this,” the singer says.

After whittling down their original list of 32 covers to 14, the band—Carlisle, vocalist/guitarist Kody Templeman, bassist Miguel Chen and new drummer Darren Chewka—gathered at the Blasting Room in Fort Collins, Colorado, for eight days in early March to knock this record out alongside engineer Andrew Berlin (Descendents, Rise Against). This was the first time Bottlerocket had recorded together since the passing of Brandon Carlisle, the band’s original drummer and Ray’s twin brother, in late 2015, and the experience was as challenging as it was rewarding.

“It’s kind of complicated to jump into the studio and do a bunch of other people’s songs—changing keys to fit our voices, moving tempos around, running into stuff we wouldn’t have necessarily run into if we would have just written these songs ourselves,” Carlisle says. “A couple of the songs are weird. There are some songs we chose to do that were out of our comfort zone. But it was cool to go into the studio and take on this record together—everybody had their say. Darren started tracking his drums on Sunday, and he was done tracking his drums on Monday afternoon. He was a beast.”

The album will mark Bottlerocket’s return to Fat Wreck Chords after a brief but successful stint with Rise Records. As Carlisle tells it, there’s no place else the band would rather be.

“It’s almost as if we didn’t leave,” he explains. “We had everyone at Fat’s blessing to go to Rise in the first place, and we were really happy with the way everything worked out with Tales From Wyoming, but coming back to Fat is like being out of town and then coming back home. We just feel more comfortable on Fat Wreck Chords.

“It’s cool when Fat Mike texts me and says, ‘I fuckin’ love your new record. It’s better than your last two records.’ It’s like, ‘Awesome, Fat Mike. We didn’t write these songs,’” Carlisle says, laughing.

The band will support Stealing The Covers with a world tour this year, bouncing through Europe and Australia before landing back in the U.S., just in time for a prime slot at the Fest in Gainesville, Florida. Expect some of these covers to pop up in the band’s set, too—and maybe even some new originals.

“Kody and I have been writing a lot of songs, and we recorded two original songs recently as well for a new 7-inch out later this year,” Carlisle says. “We’re just gonna keep on rockin’ in the free world.”
Damage Case
Damage Case
The singer of this band sounds like Lee Ving from Fear. The guitars sound like Motorhead. The drummer could be compared to every other spot-on, fast-as-hell, awesomely talented hardcore punk drummer in history. Yet while certain aspects of their music make comparisons to other bands spring to mind, Damage Case's sound is impressively original as a whole. Proving that great things can happen when good ol' punk rock meets speed metal and 80s hardcore, songs like 'Police Bastard' and 'Get Me Out' are not your run-of-the-mill present-day punk-metal tunes. They're well written, played with actual talent, anthemic, and fast enough to be incredibly satisfying to the most diehard hardcore fans. Sadly, there are more words in the title of this EP than there are songs on the record, and I found myself really bummed when it ended after the sixth track. Damage Case are from Texas, and their left-wing lyrics make me wonder what it's like being punk and liberal in the reddest state in the USA. Either way, I'd be glad to take them in at my house in Seattle if they ever need a break from all the Bush-mania: just as long as they'd let me jam with them in my basement." -Pocketful of Change Issue 3
MakeWar is about a fight.

A fight against ignorance. And laziness.
A fight against your inner demons.
A fight to stay conscious. So you can have one more drink with your friends.
A fight to do what you want instead of what you’re suppose to.
A fight that isn’t violent. Or full of hate.

This fight is about knocking down what’s holding you back.
That’s why MakeWar sounds like letting go.

It’s fighting depression by embracing aggression.
And embracing everyone around you who’s doing that too.

MakeWar is Jose, Greg and Edwin. Welcome to our fight.
From Parts Unknown
From Parts Unknown
Dallas, Texas’ rock and roll trio, From Parts Unknown, is redefining what it truly means to be a thrilling and dynamic live band by mixing rock, punk, metal, and similar genres together and delivering it in a high energy show. What’s more, the band’s upcoming freshmen release is due to rival their stage performances in every way.

Singer/guitarist Ben McCracken (Chesterfield Kings, The Trusted Few), drummer Kyle Owen (Dying Ground, The Trusted Few), and upright bass player Chris Parrish (Eerie Ln, Sawed Off Sick, Hotrod Hillbillies) formed the group in 2013 and immediately went to work writing new material, perfecting their stage show, booking gigs, and recording their first release.

Come and see this very original, high-powered, and hard-hitting band of suites as soon as you can and every chance you get. Don’t miss out on experiencing this immensely entertaining group!
The Deadbeat Club (B-52s Tribute)
The Deadbeat Club (B-52s Tribute)
suck our apathy.
Venue Information:
Three Links
2704 Elm Street
Dallas, TX, 75226